Short series bid & concepts
Two kids. One camera. Zero retakes. Summer camp filmed - selfie style! - by two wildly enthusiastic campers!
Summer is here and Max & Maple are off to their first summer sleepaway camp! Sleeping bags, headlamps, and trail mix? Check! Mosquito bites, mud, and mystery meal in the mess hall? Uh... also check!
Summer is here and Max & Maple are off to their first summer sleepaway camp! Sleeping bags, headlamps, and trail mix? Check! Mosquito bites, mud, and mystery meal in the mess hall? Uh... also check!
With a wagon packed full of camping gear, Max and Maple have kicked off the most epic summer ever at Camp PineWheel, the very same camp Grandpa Tony went to when he was just a kit! He knows everything there is to know about camp, and even though he can't be there himself, he can still be there in spirit. He's prepped Max and Maple with the tallest of tales about anything and everything, and these two intend to experience every single one! Better yet, they intend to share it! Armed with GoPro cameras, they record everything and send it all back home. The good, the epic, and the... not so good and epic. There's no editing at camp, so every cut happens in camera. Point, shoot, stop, run somewhere better, shoot again. If the first ten seconds are a thumb-smudged blur, that's part of the story now!
And every dispatch is a masterpiece of kid journalism! There's the hard-hitting investigative report on the mess hall's mystery meal, complete with dramatic zooms on the tray, zero conclusions, and one very brave taste test. Verdict? Oddly delicious. Dibs on seconds! There's the bite count, where mosquito bites get shown off to camera like trophies. "Ooh! That one looks like the Big Dipper!" There's the spider in the bunk, filmed in full nature-documentary hush from a very safe distance, right up until somebody does the math on what spiders actually eat. Mosquitoes! She has a name by lights-out, nobody touches her web, and suddenly their cabin is the envy of the entire camp. And there's the campfire ghost story that scares nobody except the kid telling it, which turns out to be the funniest thing anyone's seen all summer. Encore! Encore!
Then there's the big stuff. Archery! Canoeing! The zipline through the pines! The stuff kids dream about all year, now with a camera strapped to it. When Maple's nervous about the climbing tower, we get the whole arc in one unbroken dispatch. The shaky pep talk at the bottom. The white-knuckle POV on the way up, narrated in a voice two octaves higher than usual. The shell-shocked face at the top that looks, for one long second, like it went very badly. And then she lights up. "That. Was. EPIC!!" Cut to: back of the line, going again. Every scary-at-first moment at Camp Pinewheel ends the exact same way. Wanting to go again!
And what would any great summer camp be without stowaways?! While Max & Maple think the Wheelios stayed behind to help Grandpa Tony in his workshop, they're actually at camp too, as secret helpers! Grandpa sent them to keep an eye on his campers without spoiling that first-taste-of-independence feeling. So the mission is simple. Help where they can. Don't get spotted by Max, Maple, or a single counselor. And maybe have a little fun of their own from time to time. Two out of three isn't bad!
Which means every single video the kids send home has something going on behind them that they never, ever notice. A Wheelio quietly rescuing a runaway sleeping bag. A Wheelio reeling in a fish four times its size while Maple explains, to camera, that fishing takes patience. A Wheelio steadying the exact tent pole that was about to... never mind. Saved it. The kids are the show. The Wheelios are the show behind the show. Kids at home get to be the only ones who spot them... well, almost the only ones. Because Grandpa Tony watches every single video. And Grandpa Tony isn't telling anybody anything.
Every dispatch signs off the same way, straight down the barrel of the lens.
"Love you, Grandpa. Send snacks!"
Camp PineWheel lives right inside the Max & Maple world. Same characters, same look, same show. The only new thing in the whole place is the camera... and it's a terrible one!
Every short is shot by Max & Maple standing inside the story, which add an entirely new shot vocabulary to the series.
Hero selfie: Two faces crammed into frame, one of them half cropped off, an arm the size of a tree stretching toward the lens. Tilted, distorted, and framed exactly the way a seven-year-old actually frames things.
Chest-mount GoPro: Looking down past your own body at your feet, your hands, and whatever you are about to jump off of. The whole world tips when they tip.
Locked-off camera: Propped on a stump so they can back up, set up something wildly ambitious, and then trudge all the way back to shut it off.
Handheld: One kid filming the other, the only setup where either of them gets to be a full-blown performer instead of a talking head.
Two performers. Two narrators.
One wagon.
Zero agreement!
1001 Nights. One Wagon.
Both are certain. Neither backs down. And on stage, one very panicked Wheelio flings the beanstalk into the wings and comes scrambling back with a cardboard harp!
Max/Maple (O.S.)
"Oooh! BOTH."
Uh-oh! That's the show! Every time the story changes, the stage has to catch up. Costumes swap halfway, so somebody ends up half knight, half dragon. Props fly off and get yanked back on. The curtain closes for two seconds of extremely loud fixing and opens on something that is almost, nearly, not-quite right. The Wheelios never say a word. They don't have time!
And how does it end? However it ends! The clock runs out, somebody wins the argument, or more often the story lands on some mixed-up version that is definitely wrong and absolutely perfect. The puppets bow. The curtain drops. Goodnight, everybody!
The whole thing is handmade, and it looks it! The performers are clay, thumbprints and all. The sets are cardboard, cut crooked and painted thick. The costumes came out of a costume box. It's the greatest backyard puppet show ever built, staged by the smallest theatre company in the world, for the two loudest critics in it!
1001 stories. Two performers. Two narrators. One wagon. Zero agreement!
"Once upon a wagon..."
The Wheelios have a theatre company!
The stage is a little red wagon, the curtain is a bedsheet, the spotlight is a clip lamp borrowed from Grandpa Tony’s workshop, and every episode they perform a classic story in two minutes flat. Peter Pan! Jack and the Beanstalk! Anansi! The Tortoise and the Hare!
There's just one problem. The narrators.
Max and Maple are in the front row, telling the story out loud... and they do not agree on the details.
Max (O.S)
"Jack traded the cow for magic beans!"
Maple (O.S.)
"No, he traded it for a magic HARP!"
Four inches tall. Zero training. One hundred percent certain they've got this!
Somewhere out there, something is broken. A seesaw that only goes down. A slip-n-slide with no slip. A bike chain lying in the grass like a sad metal noodle.
Nobody's around to fix it. Well... almost nobody.
A little red wagon rolls to a stop. Beat. A red wheel cap starts to wiggle. Pop! Out come the Wheelios, and they just found their latest project!
Do they size up the problem? Comically! Do they take it apart? Enthusiastically! Do they fix it? Absolutely! Well... eventually.
Because first, everything is a toy! Is that a bolt? Sure! Or is it a hat? Also yes! A spring is a pogo stick. A washer is a monocle. A bike chain is a conga line waiting to happen. Every fix gets worse before it gets better. And then, usually by accident, usually while doing something else entirely... it works!
And then? Gone. Caps back on. Four perfectly ordinary wheels that are definitely not home to four amazing secret helpers.
Footsteps! Voices! The kids we never see are back, and they gasp! The seesaw seesaws! The slip-n-slide slips! The chain is back on the bike! How?! WHO?!
But the wagon is already rolling away down the sidewalk. All that's left behind is one spare washer... and one tiny greasy handprint on the handlebar.
It's totally wordless. Because when you're little, a broken seesaw is a big deal. The Wheelios get that. They fix the little things, which, if you're a kid, are the big things. And they never, ever stick around for the thank you. Every backyard has a little bit of mystery in it. This one just happens to be four inches tall."
Wheelios were here!
Team Stewart Entertainment
Award-winning creators of globally loved children's television, animation and interactive learning — from original IP like Kate & Mim-Mim, to Sesame Workshop and LEGO collaborations, to AI-native animation with no model drift.
20+ years
Producing children's TV & animation
130+
Territories broadcast worldwide
10+
Award wins & nominations
30+
Additional series & pilots developed
About
Team Stewart Entertainment is the Vancouver-based creative studio of husband-and-wife showrunners Scott and Julie Stewart. Since 2012, the studio has developed, produced and showrun globally distributed children's television franchises, pairing two decades of award-winning production leadership with deep expertise in child development, brand partnership and narrative systems design.
Scott and Julie have led creative and production teams for Disney, LEGO, Netflix, BBC, Sesame Workshop, Nickelodeon and Fremantle, building franchises that have aired in 130+ territories and earned an Emmy Award, two Kidscreen Awards, the Shaw Rocket Prize, and multiple Leo Award nominations.
Team Stewart operates as a boutique, founder-led studio: every project benefits directly from Scott and Julie's combined experience as Creator, Showrunner, Executive Producer, Head Writer and Studio Head.
Flagship Productions
A track record built from pitch to global delivery, across preschool television, brand-driven toy franchises and next-generation interactive learning.
Kate & Mim-Mim
2012–2018Fremantle Kids, Nerd Corps, BBC, Disney Jr, Netflix
A girl-empowering preschool franchise led from pitch to global delivery: 98 episodes broadcast in 130+ territories, with transmedia expansion into games, music and licensing.
Winner — Shaw Rocket Prize, Best Canadian Children's Program
Abby's Flying Fairy School
2003–2012Sesame Workshop, via SpeakeasyFX
26 CGI linear episodes plus 6 interactive episodes for Sesame Street, pioneering near-photoreal fur and hair workflows on a children's-television budget.
Winner — Emmy Award, Individual Achievement in Animation
Rev & Roll
2015–2020WildBrain & Alpha Group, Family Jr + YouTube
Shaped the narrative architecture across 52 episodes — personally writing more than 22 — aligned with a global toy launch strategy. Aired in 100+ territories.
Leo Award Nomination — Best Sound
LEGO Friends: The Next Chapter
2021–2024LEGO & Passion Pictures
Rebooted LEGO's flagship girls' franchise with serialized storytelling across 3 seasons plus specials and movies. Led the writers' room, story arcs and brand voice alignment.
3 award nominations, 2024–2026
Nurture
2021–PresentCo-Founder / Co-Chief Creative Officer · West Vancouver & Barcelona
Scott and Julie's next-generation storytelling platform: a story-driven interactive learning ecosystem for kids 4–7 built on a fully AI-native production pipeline that delivers cinematic-quality animation at broadcast scale — with no model drift and a hands-on creative team in the director's chair. Original IP includes Doki's Delivery, Fizz's Farm, Fluffle Factory and A Home for Hatchie, with third-party partnerships spanning Care Bears, Crayola, Pocoyo and True and the Rainbow Kingdom.
2026 Games for Change Finalist & 2x Kidscreen Award Nominee
Awards & Recognition
Selected honors across two decades of production. Full history available on request.
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2026
Games for Change Award — Finalist, Best in Learning
The Fluffle Factory (Nurture)
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2026
Kidscreen Award — Nominations, Best Learning App & Best Mobile Game
Nurture, Preschool Digital
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2025
Leo Award — Nomination, Best Score & Music
LEGO Friends: The Next Chapter
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2020
Leo Award — Nomination, Best Sound
Rev & Roll
-
2016
Shaw Rocket Prize — Best Canadian Children's Program
Kate & Mim-Mim
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2010
Emmy Award — Outstanding Individual Achievement in Animation
Abby's Flying Fairy School
Leadership
Scott Stewart
Co-Founder · Creator, Showrunner & Executive Producer
20+ years driving animated and live-action content for kids and families. Founded and scaled SpeakeasyFX from 3 to 60+ staff in under 90 days, delivering broadcast-caliber CG for Disney, Nickelodeon and Sesame Workshop before co-creating and showrunning Kate & Mim-Mim and co-heading the writers' room on LEGO Friends: The Next Chapter.
Julie Stewart
Co-Founder · Creator, Showrunner & Executive Producer
A former first-grade teacher and Emmy-winning studio founder, Julie brings deep child-development insight to every production. Co-created and showran Kate & Mim-Mim and Rev & Roll, and served as Executive Producer and studio owner on Sesame Workshop's Emmy-winning Abby's Flying Fairy School.
Let's Talk
Team Stewart Entertainment welcomes conversations with broadcasters, brand partners, distributors and financiers interested in collaborating on new or existing IP.
Scott Stewart
Co-Founder, Creator, Showrunner & Executive Producer
scott@goteamstewart.com 604.315.2184Julie Stewart
Co-Founder, Creator, Showrunner & Executive Producer
julie@goteamstewart.com 604.315.8483